Editorial

At Marrakech Film Festival, the auteur talks about her commitment to reviving her hometown of Nara, as well as 'Johatsu,' a cultural phenomenon where people disappear without a trace.

"What if we just kept driving?" Ridley Scott's 1991 road movie Thelma & Louise is best known for its final shot—a still of the eponymous heroines shooting over the Grand Canyon. A feminist classic celebrating life, love and friendship, as Kitty Grady explores, death and stillness are only ever just around the corner.

Wong Kar-wai’s hot-blooded portrait of Hong Kong melancholy is coded with the dissasociation of a generation. We take a deeper look at the master’s fifth film.

The director talks about the dangerous truth at the core of radicalism, the beautiful tension in masculinity, and his singular interpretation of The Bikeriders.

We sit down with the Japanese filmmaker to discuss his hypnotic latest feature.

To Live and Die in L.A. is Friedkin's sun-baked cult cop classic. Here, Chris Cotonou goes behind-the-scenes in the making of the film's car chase segment in which he arguably topped The French Connection.

To this day, Friedkin's box office bomb turned cult classic takes the concept of a cinematic adrenaline rush to thrilling new heights, argues Luke Georgiades.

Guest writer Elena Lazic pens an ode to one of William Friedkin's most influential masterworks.

The British director sits down with A Rabbit's Foot to discuss her beguiling new feature Saltburn, a film about the perils of class and desire. "The question I wanted to pose was: How do you get what you want out of something that will never want you back?"

Our Deputy Editor, Chris Cotonou writes a missive from Morrocco.