Editorial

“Let us see what is erotic” : Audrey Diwan on creating Emmanuelle

By As told to Kitty Grady | Photography by Fatima Khan

Bad Taste? Style in The Cook, the Thief, his Wife & her Lover

Finlay Renwick pens a sartorial appreciation of Peter Greenaway's iconic arthouse film The Cook, the Thief, his Wife & her Lover.

By Finlay Renwick

Life as art: Kim Min-hee in the films of Hong Sang-soo

Politics and the art of touch

The many seasons of the witch

By Allegra Handelsman

With A Nice Indian Boy, Roshan Sethi and Karan Soni are reinventing the rom-com in their own image

By Luke Georgiades

The gospel according to Francis Mallmann

By FRANCIS MALLMANN | AS TOLD TO CHRIS COTONOU

Conclave review—papal thriller elects Edward Berger as one of our greatest directors

By Chris Cotonou

Hard Truths review—Mike Leigh’s return to London is a masterclass in grief

By Rafa Sales Ross

Ali Abbasi on The Apprentice: “This isn’t a Trump movie, it’s a transformation movie”

By Luke Georgiades