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Review

Review
Review

Conclave review—papal thriller elects Edward Berger as one of our greatest directors
By Chris Cotonou
Review
Review

Hard Truths review—Mike Leigh’s return to London is a masterclass in grief
By Rafa Sales Ross
Review
Review

Harvest review—a brutal and earthy tale
By Chris Cotonou
Review
Review

The Brutalist review—Brady Corbet’s architectural epic is poised for glory
By Jenna Mahale
Review
Review

Queer review—sex only sells in Guadagnino’s stylish adaptation
By Jenna Mahale
Review
Review

Happyend review—Neo Sora says the kids will be alright
By Chris Cotonou
Review
Review

The Room Next Door review—an understated upstairs downstairs

Pedro Almódovar’s first English-language feature, starring Julianne Moore and Tilda Swinton as reunited friends, is a jewel-toned tale of medical autonomy. 

By Jenna Mahale
Review
Review

Vermiglio review—an atmospheric Alpine pastoral

Maura Delporo's period feature set in a remote Italian village with a large cast of characters, has heart but not enough soul.

By Chris Cotonou
Review
Review

Maria review—portrait of the artist as an older woman

From Venice Film Festival, a first look at Pablo Larraín's biopic about the legendary opera singer Maria Callas, the third instalment in the director's unofficial trilogy of misunderstood icons of the 20th century.

By Jenna Mahale
Film, Review
Film, Review

La Pampa review—queer motocross drama is a firehouse of emotions

La Pampa is a sensitive, spirited and quietly profound film that establishes Antoine Chevrollier as a promising filmmaker.

By Issy Carr