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Editorial

Queer review—sex only sells in Guadagnino’s stylish adaptation

Happyend review—Neo Sora says the kids will be alright

The Room Next Door review—an understated upstairs downstairs

Pedro Almódovar’s first English-language feature, starring Julianne Moore and Tilda Swinton as reunited friends, is a jewel-toned tale of medical autonomy. 

Vive l’amour at 30: Tsai Ming-liang revisits his intoxicating masterpiece

The Malaysian director's Golden Bear winning sophomore feature is as relevant now than it was in 1994.

Vermiglio review—an atmospheric Alpine pastoral

Maura Delporo's period feature set in a remote Italian village with a large cast of characters, has heart but not enough soul.

Maria review—portrait of the artist as an older woman

From Venice Film Festival, a first look at Pablo Larraín's biopic about the legendary opera singer Maria Callas, the third instalment in the director's unofficial trilogy of misunderstood icons of the 20th century.

Producer Alex Saks on It Ends With Us: “We don’t make a ton of movies anymore that elicit emotions like this.”

In Sing Sing, Clarence Maclin is tapping into his rawest self

We speak to the Sing Sing actor about his breakout role, which might just prove to be the best performance of the year.

Inside the sacred and profane world of Penny Slinger

Writer Young Kim discusses artist Penny Slinger's brilliant new exhibition, An Exorcism: Inside Out which is running at the Saltoun gallery in London until 7th September.

Joachim Rønning: “Young Woman and the Sea [is] the movie I want for my daughters.”

The director's latest focuses on the forgotten odyssey of 1920s Olympian swimmer Trudy Ederle, who became the first woman to cross the English channel.