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Editorial

Berlinale 2024: Dahomey review – Africa blossoms, Europe fades

Susan Finlay reviews Mati Diop’s ‘Dahomey’, a searching documentary about the repatriation of colonial artefacts to Africa. Watching from a controversial edition of Berlinale, she finds Germany's contemporary politics are brought to the fore.

Berlinale 2024: Julia von Heinz on Treasure – “Crying is the greatest gift” 

Hannah Ghorashi speaks to Julia von Heinz about 'Treasure', a feature about intergenerational trauma starring Stephen Fry and Lena Dunham.

Berlinale 2024: Janet Planet review – down-to-earth portrait of motherhood

Annie Baker's quiet debut feature explores the dynamics between a carefree mother and her questioning daughter.

Berlinale 2024: Love Lies Bleeding review – style, sex and steroids

Rose Glass's sophomore feature is destined for cult status, writes Matthew Turner

The Taste of Things review – a feast for the senses

Tran Anh Hung's food-focused romance is a sensitive and sensorial triumph.

Poem of the month: One Hundred Love Sonnets: XVII By Pablo Neruda

Imogen Lycett-Green selects our poem of the month.

A love letter to cinema’s quirkiest romantic confessions

To mark Valentine’s Day, writer Emma Firth explores the complicated art of romantic declarations. From serenading and speeches to inaudible dialogue and bewildering one-liners.

Jeff Wall: “Photography can only be done specifically – never in general”

The Canadian photographer discusses Ingmar Bergman, the importance of truth to photography and why he doesn’t have to ‘hunt’ for pictures.

Engines and emotions: 8 iconic film couples in cars

We pay homage to lovers behind the wheel.

If you’re a man: The Iron Claw, sport and masculinity in film

Sport has been used throughout film history both as an expression of masculinity and a concealer of vulnerability, argues Henry Roberts