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Film

BIFA

BIFA ’23 nominations highlight a great year for British Indies

How To Have Sex, Scrapper, and All of Us Strangers lead BIFA 2023 nominations, in a particularly fantastic year for British Independent film.

Kim Jee-woon

Kim Jee-woon: “In order to do film well…there’s this ordinary life that I’ve been avoiding.” 

One of Korea's most celebrated filmmakers, Director Kim opens up about the philosophy behind good filmmaking and what he's given up to achieve it.

Miu Miu x Woman’s Tales: Stane, by Antoneta Alamat Kusijanovic

The latest in Miu Miu's Woman's Tales series is available to stream now.

Alan Scott: Writing Don’t Look Now

Don’t Look Now screenwriter Alan Scott pens an insider tribute to Nicolas Roeg’s influential British horror, which turns the Venice Canal into an eerie stage for psychological precognition.

Werner Herzog’s Fitcarraldo and the journey into darkness

Peter Bradshaw pens an appreciation of Werner Herzog's colossal masterpiece.

Alice Coltrane

The Divine Transcendence of Alice Coltrane

Music writer Holly Alvarado waxes lyrical on the life and legacy of Alice Coltrane, whose voyage through consciousness and the divine made her the unsung heroine of Spiritual Jazz.

Priscilla

Venice ’23: ‘Priscilla’ Review

Chris Cotonou reviews Sofia Coppola's latest, on the life and times of Priscilla Presley.

The Killer

Venice ’23: ‘The Killer’ Review

On paper, The Killer has the makings of another David Fincher classic, but unfortunately falls short of its fantastic premise.

Maestro

Venice ’23: Maestro Review

Bradley Cooper's second feature is a heartbreaking portrait of the love between composer Leonard Bernstein and Felicia Montealegre.

Maestro

Venice ’23: Charles Finch, on Maestro

A Rabbit's Foot Editor-in-chief Charles Finch sends his thoughts on Bradley Cooper's Venice hit.