Editorial

A rare interview with one of the Queens of French cinema.

Although she’s admirably calm on the outside and her voice is poised and composed, Isabelle Huppert’s inner clock is ticking. She’s a woman who simply doesn’t have enough time...

Offering his unique insight, Matthew Modine shares an essay on his memories of working with Kubrick, Paths of Glory, and Full Metal Jacket.

Offering his unique insight, Matthew Modine shares an essay on his memories of working with Kubrick, Paths of Glory, and Full Metal Jacket.

Chris Marker’s La Jetée is a masterclass in the evocation of memory, argues Luke Georgiades.

Anamaria Vartolomei talks with Chris Cotonou about working with Audrey Diwan, the timely themes of the film and her approach to finding sanctuary

What makes Wes Anderson tick? In the following discussion, the auteur describes where he finds inspiration between cinema and his dreams.

What makes Wes Anderson tick? In the following discussion, the auteur describes where he finds inspiration between cinema and his dreams.

Writer Natasha A. Fraser looks at the history of Clouzot’s Le Corbeau, and how the accusatory letters would transcend into French public life.

The new trend of female auteurs ought to be considered an industry-changing movement, Julien Planté argues.