Editorial

The director of L’événement shares an essay on the pitfalls of categorisation in art and film.

Peregrine Kitchener-Fellowes explores Louis Malle's Damage, the controversial film from the director of Goodbye, Children and Elevator to the Gallows.

King’s College professor and film academic Ginette Vincendeau on the life and times of Jean Renoir.

Producer Lawrence Bender reflects on a career visiting Cannes with Tarantino, in this series of anecdotes.

These essays first appeared in Two Screenplays: The Blood of A Poet and The Testament of Orpheus (1985). Reprinted by permission of Marion Boyars Publishers, New York, London.

With her film Les Amandiers in competition at Cannes, Valeria Bruni-Tedeschi discusses the pleasures of looking to the past.

Virginie Mouzat looks into the under-appreciated magic of Francois Dorleac.

British film director Damian Harris explores the influence of Claire’s Knee on his life and work.

Legendary producer Jeremy Thomas reminisces on his history with Cannes Film Festival.

An ode to the brilliance of Jean-Paul Belmondo.