Editorial

The great American filmmaker discusses his underrated masterpiece with Deputy editor Chris Cotonou.

The academy-award winning filmmaker talks to A Rabbit's Foot Editor-in-Chief Charles Finch.

On paper, The Killer has the makings of another David Fincher classic, but unfortunately falls short of its fantastic premise.

Bradley Cooper's second feature is a heartbreaking portrait of the love between composer Leonard Bernstein and Felicia Montealegre.

A Rabbit's Foot Editor-in-chief Charles Finch sends his thoughts on Bradley Cooper's Venice hit.

Yorgos Lanthimos' latest is a hilariously savage takedown of patriarchal double standards and gender norms that revels in the romp.

Wes Anderson's second Roald Dahl adaptation proves once again that his style really is inimitable.

Michael Mann's Enzo Ferrari biopic is an impressive portrait of one of Italy's greatest sons.

Here are a few of the films that we've been anticipating at this year's Biennale.

After kicking the door down with her breakthrough indie-comedy Shiva Baby, director Emma Seligman is back with a bigger budget and bigger ambitions.