Editorial

As a new exhibition opens in Paris, Lucy Davies explores how the diaphonous and the see-through are essential to Yves Saint Laurent's conception of fashion.

Emily Blunt has a habit of stealing every scene she’s in, most recently as the female lead in Christopher Nolan’s historical drama Oppenheimer. Kitty Grady talks to the Oscar-nominated British actor about her process, parenting and upcoming plans.

Architect-turned-filmmaker Kibwe Tavares talks the making of his film The Kitchen with co-director Daniel Kaluuya.

Exploring the real life story of teenage girls radicalised by extremists, Kaouther Ben Hania’s Four Daughters merges documentary with re-enactment to create an intimate analysis of their past and present. 

Martin Scorsese talks to Chris Cotonou about the legendary musician Robbie Robertson, who impacted him as much as a friend as a collaborator.

Adapted for screen by Yorgos Lanthimos, Poor Things, Alasdair Gray’s 1992 steampunk novel, references La Salpêtrière, the famous hysteria hospital of late 19th century Paris. Does its heroine Bella Baxter, a 25 year-old woman with the brain of a baby, epitomise the notion of the ‘wandering womb’?

Shona Heath has long been one of the most in-demand production designers around. Luke Georgiades caught up with Heath to discuss her collaboration with Yorgos Lanthimos and how she and James Price breathed life into the world of Poor Things.

Hong Sang Soo’s third film with Isabelle Huppert is a rhythmically structured drama that explores the performance and perambulations of the everyday. 

Alex Georgiades talks to Tim Mackenzie-Smith, the director of new documentary Getting It Back: The Story of Cymande as well as Steve Scipio and Patrick Paterson, two members of the iconic British funk-band itself.

A collaboration between Basel Adra, Hamdan Ballal, Yuval Abraham and Rachel Szor, this urgent documentary about life on the West Bank explores the resistance of memory to obliteration.