Film

We reflect on an unusual, but exciting edition of the Arab world's biggest film festival.

At Marrakech Film Festival, the auteur talks about her commitment to reviving her hometown of Nara, as well as 'Johatsu,' a cultural phenomenon where people disappear without a trace.

"What if we just kept driving?" Ridley Scott's 1991 road movie Thelma & Louise is best known for its final shot—a still of the eponymous heroines shooting over the Grand Canyon. A feminist classic celebrating life, love and friendship, as Kitty Grady explores, death and stillness are only ever just around the corner.

Wong Kar-wai’s hot-blooded portrait of Hong Kong melancholy is coded with the dissasociation of a generation. We take a deeper look at the master’s fifth film.

To Live and Die in L.A. is Friedkin's sun-baked cult cop classic. Here, Chris Cotonou goes behind-the-scenes in the making of the film's car chase segment in which he arguably topped The French Connection.

To this day, Friedkin's box office bomb turned cult classic takes the concept of a cinematic adrenaline rush to thrilling new heights, argues Luke Georgiades.

Guest writer Elena Lazic pens an ode to one of William Friedkin's most influential masterworks.

The British director sits down with A Rabbit's Foot to discuss her beguiling new feature Saltburn, a film about the perils of class and desire. "The question I wanted to pose was: How do you get what you want out of something that will never want you back?"

Paul Sng talks to A RABBIT'S FOOT about his documentary exploring the life of Tish Murtha, a photographer from South Shields with an unwavering political committment to depicting life in the North East of England.

On the occasion of its fifteenth birthday, A Rabbit's Foot caught up with director Catherine Hardwicke to discuss Twilight's legacy as well as her latest feature Mafia Mamma.