Sign up for our newsletter and be the first to hear about exclusive offers, events & content.
We speak to the Sing Sing actor about his breakout role, which might just prove to be the best performance of the year.
The director's latest focuses on the forgotten odyssey of 1920s Olympian swimmer Trudy Ederle, who became the first woman to cross the English channel.
The 2008-set comedy-drama stirringly explores the ache of adolescence at the turn of the new millennium.
Fashion designer and petrol head Nick Ashley takes us on a tour of his life on wheels.
The director's first fiction feature is a proud declaration of Native American existence in the cinematic canon.
The French-Algerian Palestinian filmmaker's second film retraces the resilient legacy of the Palestinian women in her family.
A Rabbit's Foot talks to director Gus Van Sant, stars Matt Dillon and Kelly Lynch, producers Laurie Parker and Nick Wechsler, and screenwriter Dan Yost about the film that helped kick off a new wave of American independant cinema.
Viggo Mortensen discusses his second feature, The Dead Don’t Hurt, his new collaboration with Argentine filmmaker Lisandro Alonso, Eureka, and his publishing company Perceval Press. In his own words, the actor speaks with the lyricism befitting of a writer and a poet—two metiers that he considers as integral to his creative output as his acting.
The acclaimed director discusses his latest feature Hit Man—an ingenious fusion of noir and screwball that continues his exploration of time, identity and human malleability.
Showing as part of Sundance London, Jane Schoenenbrun's follow-up to their 2021 We're All Going To The World's Fair explores teenagers grief after a beloved TV show is cancelled. Here they talk screens, being a trans teenager and David Lynch.
Enter your email to receive exclusive accessto events, offers and content