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Confessions

In Sing Sing, Clarence Maclin is tapping into his rawest self

We speak to the Sing Sing actor about his breakout role, which might just prove to be the best performance of the year.

Joachim Rønning: “Young Woman and the Sea [is] the movie I want for my daughters.”

The director's latest focuses on the forgotten odyssey of 1920s Olympian swimmer Trudy Ederle, who became the first woman to cross the English channel.

With Didi, Sean Wang is telling a new kind of coming-of-age story

The 2008-set comedy-drama stirringly explores the ache of adolescence at the turn of the new millennium.

Nick Ashley biking

Nick Ashley: In Motorised Meditation

Fashion designer and petrol head Nick Ashley takes us on a tour of his life on wheels.

Erica Tremblay’s Fancy Dance is a gift of Native American filmmaking

The director's first fiction feature is a proud declaration of Native American existence in the cinematic canon.

With Bye Bye Tiberias, Lina Soualem is taking back her family’s legacy

The French-Algerian Palestinian filmmaker's second film retraces the resilient legacy of the Palestinian women in her family.

Drugstore cowboy its

“We had Satan on speed-dial”: An Oral History of Drugstore Cowboy

A Rabbit's Foot talks to director Gus Van Sant, stars Matt Dillon and Kelly Lynch, producers Laurie Parker and Nick Wechsler, and screenwriter Dan Yost about the film that helped kick off a new wave of American independant cinema.

Viggo Mortensen on why filmmaking is like publishing: “You have to remove parts unemotionally”

Viggo Mortensen discusses his second feature, The Dead Don’t Hurt, his new collaboration with Argentine filmmaker Lisandro Alonso, Eureka, and his publishing company Perceval Press. In his own words, the actor speaks with the lyricism befitting of a writer and a poet—two metiers that he considers as integral to his creative output as his acting. 

Why Richard Linklater is “always thinking in the eternal”

The acclaimed director discusses his latest feature Hit Man—an ingenious fusion of noir and screwball that continues his exploration of time, identity and human malleability.

Jane Schoenbrun: “I spent my childhood hiding in screens”

Showing as part of Sundance London, Jane Schoenenbrun's follow-up to their 2021 We're All Going To The World's Fair explores teenagers grief after a beloved TV show is cancelled. Here they talk screens, being a trans teenager and David Lynch.